Obviously he has to act with his body a little bit more. “So I did a sheet of how his mask and eyes could convey most of the emotion. “We were worried we wouldn’t be able to convey expression, and the dialogue would fall flat,” says Madureira. Some early sketches featured Death without his mask (like the one above), but in the end, Vigil stuck with the iconic masked version and searched for other ways to make him expressive.
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One of the challenges of making Death a more interesting personality was figuring out how to show emotion on a character without a visible face. So we felt like if Death didn’t speak at all, that would be harder, so we decided to change that up and make him more intelligent and chatty. Originally intended to be “more of a haunting figure that never spoke,” Madureira explains that this would not have set the character apart from War well enough: “We didn’t push War as far as we could as a character. Vigil also decided to shift Death’s personality. Splitting it into two smaller scythes and dual-wielding seemed ten times more bada**.” That didn’t fit in with Death’s more aggressive, feral nature. And because it’s a really large weapon, it would be wielded more slowly. “There was already a competing product that has a scythe-wielding character,” Madureira says, referencing EA’s 2010 release Dante’s Inferno, “so right off the bat, that wasn’t that appealing to us. Some of Madureira’s original sketches feature the character equipped with a more traditional large scythe, but that changed as Vigil began work on Darksiders II. One element of Death’s design that did change was his weapon. Any time we started to mess around and experiment with Death’s design, we never liked it as much as what we already had, so we just kind of stopped.” “It was really impractical stuff that we knew we really wouldn’t do…. “Early on I had played with the idea of giving him six arms and a weapon in each hand ,” Madureira laughs.
“He’s as close to a zombie as you’d want to get for the main character of a game.”Įarly into the design process on Darksiders II, Madureira toyed with some very strange iterations of the Death concept. “We wanted to play up the dead aspect of him and make him look almost zombie-like,” Madureira says.
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“It could look ridiculous, so we have to test each and every piece against itself so that hopefully it looks cool no matter what combination.”įrom an art design standpoint, Madureira describes the loot system as “limiting” but “a lot more rewarding.” This is especially true for the players: “Changing something on your character every 10 or 15 minutes that you’re playing is pretty exciting.”Īs Madureira set out to work on a final design for Death, Vigil decided they wanted to focus on the supernatural elements in series in general and the character specifically. “Not only do the pieces need to look good as a whole set, but you might equip shoulders from one set and the chest from another set with the boots from another set,” he laments. This focus on faster movement affects every level of the character design, right down to what he wears: “If his armor gets too heavy, obviously he starts to get into War’s territory.” This became an even greater concern as Madureira realized that loot was going to become a major gameplay element for the sequel. He’s very agile, very quick, very aggressive, whereas War was a little more reactive.” Madureira’s excitement is evident in his voice as he describes the dark new hero: “I like those kinds of characters, so it’s perfect.” We gave Death movements more like an assassin or a rogue. “War was a very stoic, slow-moving, hulking, massive warrior. “We wanted to get basically as far away from War as you can,” Madureira says. “We knew roughly what playstyle and what personality they would have at that time, since we were planning to do all four.” Digging into those early pieces, one character stood out as someone who would give the sequel a truly unique feel from the original: Death. “The earliest vision for Darksiders was to play the four horsemen cooperatively, so for our pitch and prototype, I had already loosely concepted all four of them,” Madureira explains. During our recent trip to Vigil, we talked to Madureira about the process of creating this new character and dug up some old sketches of the character. Not satisfied to send gamers on another adventure as the hulking War from the first game, Joe Madureira and the team at Vigil instead went back to the early concepts they had sketched out for the other three Horsemen of the Apocalypse to find a new lead character. Darksiders II is breaking what some would consider rule number one for video game sequels: Never change the main character.
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